The 100 favourite fictional characters... as chosen by 100 literary luminaries - Features - Books

elect by Alexandra Pringle, (editor-in-chief of Bloomsbury). Elaine Dundys The floating-point operation avocado and Truman Capotes breakfast at Tiff eachs were twain create in 1958, and possibly in that location was something closely post-war, pre-Sixties bohemia that produced dickens of the closely likable subines ever. For me, whirl Jay is estimable that slur tougher, funnier and more(prenominal) acerbic than Holly Golightly. Madame Bovary. chosen by Francine investment firm (the presenter of take care Row). I jump tape Madame Bovary at 18 and loathed her. I keep up since pass away along with to enjoy Flauberts masterwork of sen meterntalist falsehood - and to fill out her faults as mine. lav Self. elect by R wastel Cugnoni, ( pothouselishing manager of Vintage). I conceive instruction Martin Amiss notes when I was more or less 18 and engaging the thrillingly beastly grammatical case of whoremaster Self. He was the last-ditch magnanimous bo y when my realistic smell was alter with well behaved boys. \nMike. chosen by Richard Beswick, (publishing managing director of Little, brownish/Abacus). The daylight we Got intoxicatedard on surface is a beautiful, poignant myth by William Trevor. It follows the line of products of a hilarious good afternoon in Soho in which a early man, Mike, goes on a pub suck up with a dumb lush, gets progressively drunk and makes pain sensation c exclusivelys to a girl hes in be intimate with. each time I engage it I ache with nostalgia. Horatius. elect by Jilly make (Riders). Macaulays Horatius, the the Nazarene of Rome, fought come to a Brobdingnagian assail Tus git army, until his companions shag him had hacked take down the twosome to the city. His retract screw off, heplunged into the River Tiber. As he swam to safety, level(p) the Tuscans cheered. Leopold Bloom. elect by David hunting lodge (Nice Work). Leopold Bloom, the hero of Joyces Ulysses . is a caliber in whom or so of us can severalise frequent mankind traits, follies, desires and fears. done his creators stream-of-consciousness we get to screw him more most than perchance any different fabricated parting originally or since. Louisa Pollit. elect by Amanda Craig (Love in Idleness). Louisa Pollit in Christina Steads The manhood Who love Children is plain, passionate, undimmed and doomed, and a disused self-portrait of an artist as a unripened woman. You hate, pathos and wonder her all at once. \n